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	<pubDate>Thu, 15 Jun 2023 09:41:28 +0000</pubDate>
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		<title>Karmakol Again </title>
				
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		<pubDate>Wed, 14 Jun 2023 10:03:27 +0000</pubDate>

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Documentary, in production&#38;nbsp;
90’&#38;nbsp;
a production by Open Agency for Media and Culture, Sudan &#38;amp; donkeyshot filmproduction, Zurich
2024

with
ADEL KBEIDA
MIA BITTAR
RIHAM OBAIDA&#38;nbsp;
ALIAA SIR ELKHATEM
ABDALLAH OTHMAN
KARMAKOL TEAM

creditsDirector - AHMED ABDEL MOHSEN
Producer - RABELLE ERIANCo-Producer - SANDRA GYSI&#38;nbsp;
DOP - KHALED AWAD
Dramaturgy &#38;amp; Montage - AHMED ABDEL MOHSEN &#38;amp; SHALLALA SAMHAN
Co-writer - MOHAMED HANAFI

Arabic with English subtitles










KARMAKOL AGAIN&#38;nbsp;

A group of Sudanese youths aspire to create an international cultural festival in the middle of the desert, but the islamic military regime under Omar Al Bashir opposes their plan and forbids their project by all means. Against all odds, the festival team is determined to fight for their dream.
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		<title>Hoda - mother on hold </title>
				
		<link>https://rabelleerian.com/Hoda-mother-on-hold</link>

		<pubDate>Wed, 17 May 2023 08:30:26 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

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Documentary&#38;nbsp;
30’&#38;nbsp;
a production by Felizitas Hoffmann &#38;amp; HFF Munich&#38;nbsp;
2023

with
HODA STEFANOS&#38;nbsp;MARIAM SAMI LAILA NICHOLAS&#38;nbsp;

creditsDirector - RABELLE ERIAN
Producer - FELIZITAS HOFFMANN&#38;nbsp;
DOP - RITA HAJJAR&#38;nbsp;
Dramaturgy &#38;amp; Montage - AHMED ABDEL MOHSEN &#38;amp; RABELLE ERIAN
Soud - NANA ZAKI&#38;nbsp;
Sound Design and Mix - MIGUEL REIS&#38;nbsp;
Colorgrading - NATALIE HELGATH
Music - TAREK EL AZAHRY&#38;nbsp;
Graphic Design - AHMED HAMMOUD

Arabic with English subtitlesHODA - MOTHER ON HOLD

Hoda (55), an Egyptian choir singer, has always wanted to be a mother despite being infertile. Filling the void for the past twenty years, she has raised a young girl living in a Coptic Christian shelter as her own daughter. When the teenage girl decides to find an escape in marriage, Hoda starts to fight for her like a true mother.

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		<title>Return Shepen-Isis</title>
				
		<link>https://rabelleerian.com/Return-Shepen-Isis-1</link>

		<pubDate>Wed, 14 Jun 2023 10:55:37 +0000</pubDate>

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	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2f0e31a635dce437cea015ef773eb046156b7eab160dab183c8b9b7ca410eac3/ShepenIsis.jpg" data-mid="183053945" border="0"  src="https://freight.cargo.site/w/1000/i/2f0e31a635dce437cea015ef773eb046156b7eab160dab183c8b9b7ca410eac3/ShepenIsis.jpg" /&#62;
Performance - Discourse&#38;nbsp;
a collaboration between Kunsthalle Sankt Gallen, International Institute for Political Murder &#38;amp; Arab Academy for Science, Technology, and Maritime Transport Aswan Branch
2022

Commitee&#38;nbsp;
ROLF BOSSART
RABELLE ERIAN
MONICA HANNA&#38;nbsp;
MILO RAU
RETURN SHEPEN-ISIS
Shepen-Isis, an Ancient Egyptian noblewoman from the Twenty-sixth Dynasty, was obscurely transported to Europe in the 19th century to be acquired and displayed in the Abbey Library of St.Gallen. This project portrays her life and death in Ancient Egypt, her journey to Europe, and analyses legal and ethical grounds for bringing her back home. As a result, hundreds of prominent academics, artists, and activists signed the St.Gallen Declaration to repatriate Shepen-Isis. A panel discussion with the director of the Abbey Library was followed by a performance and an exhibition in Kunsthalle Sankt Gallen.&#38;nbsp;
This projects extends the demand for repatriation to focus on creating a bilateral task force between Egypt and Switzerland by building bridges through cultural collaboration and dialogue about restitution.https://www.return-shepenisis.com/homeengl



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		<title>BLACK LAND </title>
				
		<link>https://rabelleerian.com/BLACK-LAND</link>

		<pubDate>Thu, 15 Jun 2023 08:51:10 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

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	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/49893959bcb333ef76b70ced11864b32b40c8027e179788a7132a47b33104a9d/Black-Land.jpg" data-mid="183053888" border="0"  src="https://freight.cargo.site/w/1000/i/49893959bcb333ef76b70ced11864b32b40c8027e179788a7132a47b33104a9d/Black-Land.jpg" /&#62;
Performance - Discourse&#38;nbsp; funded by the Hauptstadtkulturfonds, Berlin, in cooperation with Verena Lepper / Egyptian Museum and Papyrus Collection Berlin, the CTM Festival &#38;amp; the silent green

2022

with
ATTILA CSIHAR &#38;amp; ENSEMBLE

creditsConcept and Artistic Direction - ELENA SINANINA Dramaturgy - RABELLE ERIANDramaturgy Outside View - MARIA BUZHOR
Scenography -INGA ALEKNAVICUITECostumes - KARIN MERTENInterlocutors Egypt - WALLAA EL SHAZLY, KERYLOS AZIZ&#38;nbsp;Sound Design - CHRISTOPHER VON NATHUSIUS&#38;nbsp; 
Project Management - ANNE DIESTELKAMPGraphic Design - ADA FAVARONBLACK LAND 
BLACK LAND is a series of performances and installations that attempt to remember the testimonies of Ancient Egypt and the knowledge stored in them. Papyri from Elephantine (island on the Nile River) as well as text fragments and objects of various origins become witnesses and actors in equal measure. What stories do the ancient texts tell us? Can we remember something for which there is no language(s) and what does this knowledge mean today?https://www.silent-green.net/programm/detail/2022/10/28/black-land-performing-memory


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		<title>Core memories</title>
				
		<link>https://rabelleerian.com/Core-memories-1</link>

		<pubDate>Thu, 15 Jun 2023 09:41:28 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e88de3ae5542cff5d8f085b2c6d75f27d41d9c32dd989b3490dbab35e7d5555c/CoreMemories_Still01.jpg" data-mid="182154575" border="0"  src="https://freight.cargo.site/w/1000/i/e88de3ae5542cff5d8f085b2c6d75f27d41d9c32dd989b3490dbab35e7d5555c/CoreMemories_Still01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d03c58402151fb1afae83a133e1c51c9d467e544182381924e33c72bf29fb910/CoreMemories_Still05.jpg" data-mid="182154576" border="0"  src="https://freight.cargo.site/w/1000/i/d03c58402151fb1afae83a133e1c51c9d467e544182381924e33c72bf29fb910/CoreMemories_Still05.jpg" /&#62;

	
	
Music Video&#38;nbsp;
6’&#38;nbsp;&#38;nbsp;
2021

creditsVideo - RABELLE ERIAN
Music - MALLO
CORE MEMORIES
A trip with friends and a digital color experiment resulted in the collaborative video project "Core memories".
An endless desert landscape. Rhythmic color interventions. The desert tells the story of an airplane and its crash and of a memory that seems like a dream. The video can also be understood as a study of movement and color. 
The soundscape was composed by musician and architect "Mallo" from Cairo. This composition includes motor sounds in combination with repeated synthetic harmonies. A choir appears at the end.

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		<title>For the record, my love</title>
				
		<link>https://rabelleerian.com/For-the-record-my-love-1</link>

		<pubDate>Wed, 14 Jun 2023 11:25:39 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

		<guid isPermaLink="true">https://rabelleerian.com/For-the-record-my-love-1</guid>

		<description>
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/27498299350e305e8b2329f54222463f668951dd438dfb8853d1f986770a1b5f/NajoMido1.jpg" data-mid="183054487" border="0"  src="https://freight.cargo.site/w/1000/i/27498299350e305e8b2329f54222463f668951dd438dfb8853d1f986770a1b5f/NajoMido1.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eeb534528e0727539ee766fadaf3fe62be4f7bcddf34fad435cc97bb7f2de2d4/Copy-of-NajiaKitchenStill.jpg" data-mid="182036321" border="0"  src="https://freight.cargo.site/w/1000/i/eeb534528e0727539ee766fadaf3fe62be4f7bcddf34fad435cc97bb7f2de2d4/Copy-of-NajiaKitchenStill.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7c0cba4bd60462c2e874be51a5cb13fbd6b8d8ab3577a1770787b04638bc7d63/Copy-of-Cassetten_Still.jpg" data-mid="183054537" border="0"  src="https://freight.cargo.site/w/1000/i/7c0cba4bd60462c2e874be51a5cb13fbd6b8d8ab3577a1770787b04638bc7d63/Copy-of-Cassetten_Still.jpg" /&#62;

	
	
Documentary&#38;nbsp;16’&#38;nbsp;
a production by HFF Munich &#38;amp; L’inis Montreal
2020

withEMAD RAPHAEL NAJIA SEDNAOUY&#38;nbsp;

creditsDirector, writer, Editor&#38;nbsp; RABELLE ERIAN &#38;amp; RITA HAJJAR
Producer - MARLENE FECHT, CHRISTINE HAUPT, LAURENCE FUGERE
DOP - RITA HAJJAR&#38;nbsp;
Dramaturgy - KRYSTEL KHOURY&#38;nbsp;
Music - NIKOLAUS GRAF
Sound Mix - RODOLFO ANES SILVEIRA&#38;nbsp;
Color Grading - ZE ABREU SANTOS
Arabic with English subtitlesFOR THE RECORD, MY LOVE 
It’s 1979. Mido and Najo are teenagers in love. After Mido immigrated to Canada, Najo can’t wait to finish highschool in Cairo, so she can join him. Over the course of three years, Najo records audio cassettes to her fiance to overcome the distance separating them. She shares details from her everyday life, family visits, parties, school grades and expresses her everlasting love. A forty years old love story with imminent daily scenarios that unfolds through an overlap of temporalities and locations.

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		<title>How to remember in dead time </title>
				
		<link>https://rabelleerian.com/How-to-remember-in-dead-time-1</link>

		<pubDate>Thu, 15 Jun 2023 09:05:25 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

		<guid isPermaLink="true">https://rabelleerian.com/How-to-remember-in-dead-time-1</guid>

		<description>
	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9f87392388072819d5718585ff59e8e3306a2b428f6656b74474dae8ac0d3481/01.jpg" data-mid="183054395" border="0"  src="https://freight.cargo.site/w/1000/i/9f87392388072819d5718585ff59e8e3306a2b428f6656b74474dae8ac0d3481/01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9acfc520f492926e1435558ef0588018f0c0a501d3de07febf5ba80f0b3e06f1/02.jpg" data-mid="183054400" border="0"  src="https://freight.cargo.site/w/1000/i/9acfc520f492926e1435558ef0588018f0c0a501d3de07febf5ba80f0b3e06f1/02.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c4544b589a5ec86b086c2ab94c4fd7f4e21895fb6e86b463dacb33857e322598/03.jpg" data-mid="183054402" border="0"  src="https://freight.cargo.site/w/1000/i/c4544b589a5ec86b086c2ab94c4fd7f4e21895fb6e86b463dacb33857e322598/03.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/338ce71306fd6ec75da3f04bcafb4d7fe2c71d3540cc1f6c97ecf28a40382fe4/04.jpg" data-mid="183054403" border="0"  src="https://freight.cargo.site/w/1000/i/338ce71306fd6ec75da3f04bcafb4d7fe2c71d3540cc1f6c97ecf28a40382fe4/04.jpg" /&#62;

Book reading &#38;amp; Performance&#38;nbsp;45’&#38;nbsp;
a production by Münchner Kammerspiele
2020

with
KINAN HMEIDAN
JELENA KULIJIC
KAMEL NAJMA
DAMIAN REBGETZ
&#38;nbsp;
creditsDirector - RABELLE ERIAN
DramaturgY - MARTIN VALDES STAUBER 
Video - AMON RITZ&#38;nbsp;

in English and ArabicHOW TO REMEMBER IN DEAD TIME 
The popular form of HOW-TO manuals promises insightful advice on every imaginable topic. A lucrative business and another practice of self-optimization. We would like to introduce another type of manual, one that moves ceaselessly between the mundane and the speculative, the factual and the fictional, between instruction and intuition. The publishing initiative of the Kayfa-Ta books (how = kayfa, to = ta) was founded in 2012 by Maha Maamoun and Ala Younis. All books are published simultaneously in Arabic and English. This reading, led by the dramaturg and filmmaker Rabelle Ramez Erian, is based on three books from this publishing series: How to remember your dreams by Amr Ezzat, How to imitate the sound of the shore using two hands and a carpet by Cevdet Erek and How to disappear by Haytham El-Wardany. Four actresses from the Ensemble der Kammerspiele invite you to follow their instructions and perform the exercises yourself.https://kayfa-ta.com/



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		<title>A re-enactment with Aydin Engin</title>
				
		<link>https://rabelleerian.com/A-re-enactment-with-Aydin-Engin-1</link>

		<pubDate>Wed, 14 Jun 2023 11:42:33 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

		<guid isPermaLink="true">https://rabelleerian.com/A-re-enactment-with-Aydin-Engin-1</guid>

		<description>
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/86f7bf56362346683ebeb3ced8f48946ec8b94c3a54660da27cee4c57da900fe/Gericht01.jpg" data-mid="182037861" border="0"  src="https://freight.cargo.site/w/1000/i/86f7bf56362346683ebeb3ced8f48946ec8b94c3a54660da27cee4c57da900fe/Gericht01.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/16f77904fb64f08107d930cc90f78f6fde5590242e5464021ca82c672dbd3452/enginTaxi_.jpg" data-mid="182038277" border="0"  src="https://freight.cargo.site/w/1000/i/16f77904fb64f08107d930cc90f78f6fde5590242e5464021ca82c672dbd3452/enginTaxi_.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/99e0bb04f3ec8e9239208612c4bf022469fe35f3235396f29cdd5df66abe3b14/Demo01.jpg" data-mid="182038283" border="0"  src="https://freight.cargo.site/w/1000/i/99e0bb04f3ec8e9239208612c4bf022469fe35f3235396f29cdd5df66abe3b14/Demo01.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/47bd1074338686fe7d3a4b128a79ad95e8a5b7291b98468e899364301b476249/Demo02.jpg" data-mid="182038337" border="0"  src="https://freight.cargo.site/w/1000/i/47bd1074338686fe7d3a4b128a79ad95e8a5b7291b98468e899364301b476249/Demo02.jpg" /&#62;

	
	
Documentary&#38;nbsp;20’&#38;nbsp;
a production by HFF Munich 
2019

withAYDIN ENGIN
MELEK ERTEM

creditsDirector, DOP, Editor&#38;nbsp; RABELLE ERIANProducer - FIDAN OZEN &#38;amp; MADLEINNE MUELLER&#38;nbsp;
Music - NIKOLAUS GRAF
Sound Mix - RODOLFO ANES SILVEIRA&#38;nbsp;
Color Grading - CLAUDIA FUCHS Turkish with English subtitles

A RE-ENACTMENT WITH AYDIN ENGIN

Aydin Engin, journalist and former chief executive of the opposition newspaper Cumhuriyet, is facing trial for his articles, simply for reporting on the current political situation in Turkey. The 80-years old Turkish reporter restages parts of his trial with amateur actress Melek Ertem. Just like “water always finds its crack”, Engin has always found new possibilities when fighting for democracy. 
A portrait of a man who echoes the history of the republic. 

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		<title>Billboards to Cairo</title>
				
		<link>https://rabelleerian.com/Billboards-to-Cairo-1</link>

		<pubDate>Wed, 14 Jun 2023 11:55:15 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

		<guid isPermaLink="true">https://rabelleerian.com/Billboards-to-Cairo-1</guid>

		<description>
&#60;img width="1430" height="810" width_o="1430" height_o="810" data-src="https://freight.cargo.site/t/original/i/8add1835a8ac4789df8fb5d762b2d9378f6f4df06d34e3714a8fda58be1dc9b9/Copy-of-BBC-3.png" data-mid="182039032" border="0"  src="https://freight.cargo.site/w/1000/i/8add1835a8ac4789df8fb5d762b2d9378f6f4df06d34e3714a8fda58be1dc9b9/Copy-of-BBC-3.png" /&#62;
&#60;img width="1430" height="803" width_o="1430" height_o="803" data-src="https://freight.cargo.site/t/original/i/7da0c98644b640932539057f802f1bbbcd4b5804f5dcb8f0f79e3ea835e8bcaf/Copy-of-BBC-2.png" data-mid="182039033" border="0"  src="https://freight.cargo.site/w/1000/i/7da0c98644b640932539057f802f1bbbcd4b5804f5dcb8f0f79e3ea835e8bcaf/Copy-of-BBC-2.png" /&#62;
&#60;img width="606" height="852" width_o="606" height_o="852" data-src="https://freight.cargo.site/t/original/i/df54d15f54450de2f9cf420d96f5b571472d067ff4b4f787419724100dcbc795/Draft04.jpg" data-mid="182039052" border="0"  src="https://freight.cargo.site/w/606/i/df54d15f54450de2f9cf420d96f5b571472d067ff4b4f787419724100dcbc795/Draft04.jpg" /&#62;

	
	
Essay&#38;nbsp;
15’&#38;nbsp;
a production by Felizitas Hoffmann &#38;amp; HFF Munich&#38;nbsp;
2019

with
ISABELLE NAKHLARABELLE ERIAN&#38;nbsp;&#38;nbsp;

creditsDirector - RABELLE ERIAN
Producer - FELIZITAS HOFFMANN&#38;nbsp;
DOP - NINA MOOG &#38;amp; RABELLE ERIAN&#38;nbsp;
Editor - HISHAM SAQR&#38;nbsp;
Sound Mix - RODOLFO ANES SILVEIRA&#38;nbsp;
Colorgrading - ZE ABREUS SANTOSArabic with English Subtitles&#38;nbsp;
BILLBOARDS TO CAIRO
This film is an answer to a letter that had been left unanswered for the past eight years. My mother had written me that letter when I moved out from our apartment in Cairo to live in the student dorms in Munich. Why didn’t I reply for such a long time? How does Cairo impact me - a filmmaker living on the other side of the Mediterranean? How did the city in which my mother remains change? How does Cairo affect her and why do I find it so difficult to understand those transformations? 



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	<item>
		<title>For the Last time</title>
				
		<link>https://rabelleerian.com/For-the-Last-time-1</link>

		<pubDate>Thu, 15 Jun 2023 09:20:29 +0000</pubDate>

		<dc:creator>rabelleerian.com</dc:creator>

		<guid isPermaLink="true">https://rabelleerian.com/For-the-Last-time-1</guid>

		<description>
	
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1c23579bc3431bfbc3a0e2833468b3d38a16531e84024cbfb4af1bceb07dc10c/o5.jpg" data-mid="183054216" border="0"  src="https://freight.cargo.site/w/1000/i/1c23579bc3431bfbc3a0e2833468b3d38a16531e84024cbfb4af1bceb07dc10c/o5.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/11371c0a3238f1e9a5d9d812f6fdf4c45e42a0b05ca89f60498b53c3e1583fd3/o6.jpg" data-mid="183054271" border="0"  src="https://freight.cargo.site/w/1000/i/11371c0a3238f1e9a5d9d812f6fdf4c45e42a0b05ca89f60498b53c3e1583fd3/o6.jpg" /&#62;
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Performance&#38;nbsp;
A Production by Münchner Kammerspiele &#38;nbsp;
2020


Performance - KINAN HMEIDAN
Voice Over - JULIA RIEDLER

based on texts by Jean-Luc Lagarce – It’s only the end of the world

creditsDramaturgy and artistic concept - KRYSTEL KHOURY
Video - RABELLE ERIAN&#38;nbsp;
Camera - RITA HAJJAR&#38;nbsp;
Stage - ANDREA PEREZ FU
Fotos - KHALED MOSTAFA Khaled Mustafa
Producer - CHARLOTTE HESSE &#38;nbsp;

Arabic with English and German surtitlesFOR THE LAST TIME

Why all this effort in striving for change and wanting to color the images stored in our memory? Why all this strain in figuring out answers, in trying to fit and reshape spaces and memories that might vanish in one instant?
I build up and destroy.
I am building up to destroy. One more time.
Why all this weariness and quest for new surroundings, when at the end all appears to be one? Yes, One. Syria, Germany, Ghana, Afghanistan, Switzerland…
The essence lies in us, whether here or there. On top of or under the ground, we are the essence.
“I will not be where I was and where I will always be.
I will hide in huge spaces, in a hole and I will lie to myself and I will mock myself.
I am on a visit, ” he said.
For the last time?


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